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Q&A with Country's Gene WatsonTexas-Born Singer Discusses Latest Album, Fellow Artists & Career
George Jones lists him as one of his "all-time favorite ballad singers." But Gene Gene Watson keeps singing, recording and touring like he's yet to make his mark
A 2002 inductee into the Lone Star state's Country Music Hall of Fame, the Texas-born singer—in December 2007—took time from his touring schedule in support of In A Perfect World, the 34th album of his recording career and his inaugural CD for the Shanachie label, to discuss the now-critically acclaimed release and its creation with journalist Lisa L. Rollins. With some 50 country-music hits to his credit, including classics "Love In the Hot Afternoon," "Farewell Party," "Got No Reason Now for Goin' Home," "Memories to Burn" and "Should I Come Home (Or Should I Go Crazy)," among many others, Watson had just released In A Perfect World, which was named one of the best country releases of 2007 by Country Music Television. The following is part one of his three-part interview with Rollins. Taking on the ClassicsLR: Regarding your latest album, I find it compelling that you opted to take on classics such as “Today I Started Loving You Again” and “Together Again." These songs are so much a part of the collective fabric of classic country and so closely associated with artists Merle Haggard, Buck Owens and Ray Price, so many would be intimidated to re-cut them. … What inspired you to record these particular songs? GW: My record label, Shanachie, requested three classic songs, plus eight new songs. I really just chose three classics that I enjoy performing. I’ve been singing “Today I Started Loving You Again” in concert for many years and I vowed to record that sometime for the fans, and this was my opportunity to do just that. I have always loved “Together Again” as well as “Don’t You Ever Get Tired of Hurting Me.” LR: What do you feel you brought to the aforementioned songs in your versions of them? GW: I really just tried do a different interpretation on these classics, because all of these songs have been sung to perfection by the original singers. I often say when Merle Haggard sang “Today I Started Loving You Again,” it has been sung! (Producer) Brent Rowan and I sat down and worked out this slightly different arrangement, and I hope the fans will like it. When Lee Ann Womack came to the studio and added her amazing vocals to the track, I was just blown away by it. She added those special curls on there and she had to put that on top of my vocal, which is really difficult to do. She just hit it out of the park. Then on “Together Again,” Ms. Rhonda Vincent came along and took that one to another level. When I heard her voice, I told Brent to turn her up. I knew this needed to be a full duet. We have enjoyed singing this one together at the Opry, on WSM-AM and again at a couple of concerts. Rhonda is an amazingly talented performer, and I’m so delighted to have her on this album. Watson's Studio 'Wish List'LR: You have a number of “country stars” taking part in this album—and a lot of native Texans. How did you go about recruiting these particular artists? Are they newer artists you especially like or did someone suggest them to you? GW: When we decided on which songs we wanted to record, my manager, John Lytle, and my producer, Brent Rowan, asked me who I might want to have sing on the album—kind of like a “wish list.” Well, I never dreamed that I’d have any artist actually have the time to do it, but I named a few and before I knew it, I had a call from my producer telling me Vince Gill was on his way to the studio. I was just amazed and delighted about that. Vince Gill is one of our greatest country singer’s today. He (has been) inducted into the Country Music Hall of Fame for good reason. He is not only one of the most gifted singers, songwriters and performers, but he’s a man with a great heart. So deserving. Then it was just a dream to find out Lee Ann Womack, Rhonda Vincent, my good friend and fantastic singer, and Mark Chesnutt were able to come to the studio. I was so happy that Connie Smith could be on this album, as I’ve been such a huge fan of hers for years. I think the world of Joe Nichols, too. He is a world-class country singer. His manager is also my manager, so that’s kind of how that happened.
The copyright of the article Q&A with Country's Gene Watson in Country Music is owned by Lisa L. Rollins. Permission to republish Q&A with Country's Gene Watson in print or online must be granted by the author in writing.
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